George Fullard, ARA, 'Portrait study'
George Fullard, ARA, (British, 1923 – 1973)
Portrait study
Mixed media on paper
Signed and dated ‘Fullard / Feb 56’ (lower right)
18.1/4 x 14.1/4 in. (46.4 x 36.3 cm.)
After serving in the army in world war 2, having been severely wounded at the battle of Cassino, he studied at Sheffield and then at the RCA. By 1958, John Berger, the art critic of the New Statesman regarded him as Britains best new contemporary sculptor. Public works include ‘Running woman’ in the grounds of Upper Chapel in Sheffield City Centre. A major retrospective of his work was exhibited at Graves Art Gallery, Sheffield in 2023.
George Fullard, ARA, (British, 1923 – 1973)
Portrait study
Mixed media on paper
Signed and dated ‘Fullard / Feb 56’ (lower right)
18.1/4 x 14.1/4 in. (46.4 x 36.3 cm.)
After serving in the army in world war 2, having been severely wounded at the battle of Cassino, he studied at Sheffield and then at the RCA. By 1958, John Berger, the art critic of the New Statesman regarded him as Britains best new contemporary sculptor. Public works include ‘Running woman’ in the grounds of Upper Chapel in Sheffield City Centre. A major retrospective of his work was exhibited at Graves Art Gallery, Sheffield in 2023.
George Fullard, ARA, (British, 1923 – 1973)
Portrait study
Mixed media on paper
Signed and dated ‘Fullard / Feb 56’ (lower right)
18.1/4 x 14.1/4 in. (46.4 x 36.3 cm.)
After serving in the army in world war 2, having been severely wounded at the battle of Cassino, he studied at Sheffield and then at the RCA. By 1958, John Berger, the art critic of the New Statesman regarded him as Britains best new contemporary sculptor. Public works include ‘Running woman’ in the grounds of Upper Chapel in Sheffield City Centre. A major retrospective of his work was exhibited at Graves Art Gallery, Sheffield in 2023.
